In festo Sanctissimae Trinitatis Ad Laudes

 
AR 2
AR 518

For the text only, but with a translation, click HERE.

For a different way to access the recording above, click HERE.

Interesting to see is that the five antiphons for today progress in order through the first five modes. This happens again on Corpus Christi.

Note: there is a typo on p. 520, in that the antiphon for the Benedictus should actually be labeled as mode 6.

Schedule #7

Use the comments of this post to volunteer to provide recordings of Lauds for any of the days starting with Trinity Sunday, June 11th, 2017.

Recordings of any other hours are also always welcome!

Feria VI. Quatuor Temporum Pentecostes Ad Laudes

Note: the first part of this recording is copied from yesterday’s.

 
AR 2
AR 503
AR 514

For the text only, but with a translation, click HERE.

For a different way to access the recording above, click HERE.

Note: today is actually the correct day for me to put in a LINK HERE to a recording of polyphonic Vespers, which was sung at the CMAA’s 2011 Colloquium.

Feria V. infra octavam Pentecostes Ad Laudes

 
AR 2
AR 503
AR 513

For the text only, but with a translation, click HERE.

For a different way to access the recording above, click HERE.


Note: I can’t pass up the opportunity to LINK HERE to a recording of polyphonic Vespers for today, which was sung at the CMAA’s 2011 Colloquium. I was in this choir!
[Note: I’m moving this to tomorrow, with my apologies for mis-remembering this as a Thursday, when it was in fact clearly a Friday.]

Feria IV. Quatuor Temporum Pentecostes Ad Laudes

 
AR 2
AR 503
AR 512

For the text only, but with a translation, click HERE.

For a different way to access the recording above, click HERE.

[Note: there is a typo on p. 507, in that the “Amen” at the end of the hymn ought to be on Re, not on Ut. This is clear from the fact that the hymn is in mode 1.]